Ana de Armas / Ana Celia de Armas Caso

Born on April 30, 1988 (Havana, Cuba).

Ana de Armas moves through genres with a lethal grace — the kind of poise that makes danger look like choreography. She can disarm with a smile, a pistol, or both at once. In Ballerina (2025), she quite literally picks up the pencils, paperclips, and other weapons of improvised destruction left behind by a retired John Wick, stepping into his world of balletic brutality as if she had been born there. In No Time to Die (2021) and Ghosted (2023), she brought a playful, high-energy sharpness to the spy arena — suggesting she could fill Bond’s tuxedo herself, or at the very least steal the camera from him without breaking a sweat.

Her sensual side shines with equal force. In the neon-lit futurism of Blade Runner 2049 (2017), she played a holographic dream who felt more human than the humans. In the dark, humid psychological tension of Deep Water (2022), her gaze alone suggested whole constellations of desire and danger. De Armas has the rare gift of making intimacy feel as precise as combat — every movement measured, every silence charged.

Her cinematic orbit quietly intersects with many actresses on this list. Like Scarlett Johansson in her blend of softness and steel, de Armas can switch from tenderness to lethality without losing coherence. Like Amy Adams, she carries emotional sincerity into worlds that could easily collapse into pure spectacle. And like Jennifer Lawrence, she possesses an unvarnished honesty on screen — a sense that the camera never catches her «acting,» only revealing. Where Johansson reshaped the MCU, Lawrence defined the modern mutant archetype, and Adams gave DC its most grounded Lois Lane, de Armas is forging her own chapter in the evolving mythology of action heroines: not a goddess, not an assassin, not a hologram — but a woman who can be all three, without losing the pulse of realism beneath the fantasy.

Off-screen, she maintains a quiet, deliberate privacy, speaking openly only when it matters: about identity, about the Latina experience in Hollywood, about the invisible work of carving a path through an industry that loves to typecast. She stands as one of the new international figures redefining what a modern action star — and a modern leading woman — can be: soft yet unbreakable, glamorous yet grounded, dangerous yet deeply human.

Divorced. No children.